"Rather! But not till after the public marriage." Mrs. Gereth seemed to muse; then she brought out: "She'll live there alone." When the two girls had gone in to breakfast it was for Fleda to see at a glance that there had been a further passage, of some high color, between Owen and his mother; and she had turned pale in guessing to what extremity, at her expense, Mrs. Gereth had found occasion to proceed. Hadn't she, after her clumsy flight, been pressed upon Owen in still clearer terms? Mrs. Gereth would practically have said to him: "If you'll take her, I'll move away without a sound. But if you take any one else, any one I'm not sure of, as I am of her—heaven help me, I'll fight to the death!" Breakfast, this morning, at Poynton, had been a meal singularly silent, in spite of the vague little cries with which Mrs. Brigstock turned up the underside of plates and the knowing but alarming raps administered by her big knuckles to porcelain cups. Some one had to respond to her, and the duty assigned itself to Fleda, who, while pretending to meet her on the ground of explanation, wondered what Owen thought of a girl still indelicately anxious, after she had been grossly hurled at him, to prove by exhibitions of her fine taste that she was really what his mother pretended. This time, at any rate, their fate was sealed: Owen, as soon as he should get out of the house, would describe to Mona that lady's extraordinary conduct, and if anything more had been wanted to "fetch" Mona, as he would call it, the deficiency was now made up. Mrs. Gereth in fact took care of that—took care of it by the way, at the last, on the threshold, she said to the younger of her departing guests, with an irony of which the sting was wholly in the sense, not at all in the sound: "We haven't had the talk we might have had, have we? You'll feel that I've neglected you, and you'll treasure it up against me. Don't, because really, you know, it has been quite an accident, and I've all sorts of information at your disposal. If you should come down again (only you won't, ever,—I feel that!) I should give you plenty of time to worry it out of me. Indeed there are some things I should quite insist on your learning; not permit you at all, in any settled way, not to learn. Yes indeed, you'd put me through, and I should put you, my dear! We should have each other to reckon with, and you would see me as I really am. I'm not a bit the vague, mooning, easy creature I dare say you think. However, if you won't come, you won't; n'en parlons plus. It is stupid here after what you're accustomed to. We can only, all round, do what we can, eh? For heaven's sake, don't let your mother forget her precious publication, the female magazine, with the what-do-you-call-'em?—the grease-catchers. There!"!

"I see," said Fleda. "Then, if you don't wait—good-bye." But Fleda went luminously on; she once more enjoyed her great command of her subject: "I think that when you came to see me at Maggie's you saw too many things, you had too many ideas."

"To act, to take means." "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. "Whatever we hear, I must go." As the cab went on she added: "But I needn't drag you to the station."